Monday, July 30, 2007

10-Song Introductions: Belle and Sebastian

Getting into an artist, especially an established one, is no easy task. There's often a daunting amount of material to sift through, along with the possibility of being called a bandwagon jumper. With this feature, I'll try to introduce you to the best aspects of an artist, with the hope that you'll hear something you like.

1. The State I Am In
This perfect example of Stuart Murdoch's wit and knack for a tune introduced Belle & Sebastian to those lucky enough to have heard "Tigermilk" when it was first released. Besides being the opening track on that no-longer rare, yet still much-coveted, debut album, an earlier demo version appears on the "Dog on Wheels" EP. Both are equally good, although if pressed, I'd have to say the EP version gets my vote.

2. Get Me Away From Here, I'm Dying
A bouncy, upbeat track that sums up the Belle and Sebastian ethos in its opening lines: "Get me away from here I'm dying...paint me a song to set me free...nobody writes them like they used to so it may as well be me." In the hands of a lesser songwriter, such a line could come off as pretentious. With Murdoch, it's more of an 'aww shucks' moment that's helped by a simple fact: it's true.
3. Sleep the Clock Around
This song has a subtle, insistent momentum to it that's quite unique: Stuart and Isobel Campbell share vocal duties over a bed of keyboards; threadbare, electronic-sounding drums; and some downright weird sounds. This is an interesting tangent for the group, one that they would never duplicate on later recordings. It's a shame, because it's one of their most infectious and endearing pieces.
Influence Note: "Hooligans on E" by Pete Doherty of The Libertines, particularly the version heard on "The Sailor Sessions", bears an unmistakable resemblance to this song.

4. Dirty Dream #2
This upbeat number is possibly the finest moment on "The Boy with the Arab Strap", with the ensemble trying their hand at soul music. A dramatic, if playful, string section floats over a steady backbeat provided by Richard Colburn. Even with Campbell's sumptuous harmonies further contributing to the romantic musical atmosphere, Murdoch can't help being a little devious: "Could you put a name to someone else's sigh? Could you put a face to someone else's eyes?"

5. String Bean Jean
Another highlight from the excellent "Dog on Wheels" EP, this fits the early Belle and Sebastian mode of Murdoch singing like Nick Drake whilst describing his interactions with an eccentric girl. Of course, if as many beautiful, well-read indie girls with pixie haircuts existed as he would have us believe, the world would be a much more interesting place. As it stands, we'll have to settle for Murdoch's colorful imagination:

She asked me "Do I need to lose a bit of weight?"
And I told her "Don't be stupid 'cause you're looking great"
And I call her String Bean Jean because the label on her jeans says
Seven to eight years old - well that's pretty small

6. The Boy Done Wrong Again
When it comes to the best B&S ballad, the possibilities are numerous, but this one probably deserves special mention. "Hang your head in shame and cry your life away", Murdoch sings, and many are probably tempted to think he's singing about his sorry lot in life. But that would be a shallow reading of the song's intent--if anything, Murdoch is tenderly poking fun at himself much like Morrissey did in "Please, Please, Please, Let me Get What I Want":

All I wanted was to sing the saddest songs
If somebody sings along I will be happy now

The woodland spring will put the darkness from your thinking
If this town's your sinking ship
Then you know where to jump


7. Judy and the Dream of Horses
This whimsical jaunt rounds out B&S's masterpiece "If You're Feeling Sinister". Even in a band known for its great trumpet solos, Mick Cooke's part here really stands out. Building from a delicate strum into an undeniable toe-tapper, this is a persuasive example of Murdoch's ability to craft big music from limited means. It's also wickedly funny:

The best looking boys are taken
The best looking boys are staying inside
So Judy, where does that leave you?
Walking the street from morning to night
With a star upon your shoulder lighting up the path that youwalk
With a parrot on your shoulder, saying everything when you talk


8. I Know Where the Summer Goes
A simple, easy ballad just like its name suggests, this is undoubtedly one of the most beautiful things Belle & Sebastian ever committed to tape. As a b-side to the "This is Just a Modern Rock Song EP", it also represents a time just before the disastrous end of the band's musical winning streak.
9. I Fought in a War
Another album opener, another whispered intro. Being perhaps the only song on "Fold Your Hands Child, You Walk Like a Peasant" to climb the heady heights of the band's previous output, this song is both a high point and the beginning of the end. The conclusion of Belle and Sebastian's virtually unparalleled songwriting run unfolds like a slow-motion car crash over the course of "Peasant"; "War", however, is a marvel: a touching story conveyed with a brilliant melody, it's deceptively simple like all the best B&S songs are.


10. Another Sunny Day
As an infectious burst of jangly pop brimming with spot-on three-part harmonies, this song puts most of its musical brethren on "The Life Pursuit" to shame. The band's unsung hero, guitarist Stevie Jackson, really shines here. Murdoch, meanwhile, tells the story of a doomed love affair--from the first moments to its last throes--like very few are capable of. The song ends on a particularly poignant note:


The lovin is a mess; what happened to all of the feeling?
I thought it was for real; babies, rings and fools kneeling
And words of pledging trust and lifetimes stretching forever
So what went wrong? It was a lie, it crumbled apart
Ghost figures of past, present, future haunting the heart




Labels: , , ,

    Dead Flowers: Anglophiles Anonymous

4 Comments:

Anonymous Anonymous said...

I am a late comer to B&S, I admit it. What are you gonna, in certain parts of this country (USA) it is a musical desert. One good friend and the Internet has renewed my interest in music. That was a nice retrospective and an excellent post, keep up the good work.

Jeff

7:54 PM  
Blogger Mike said...

Hey Jeff...no reason to be ashamed...if I hadn't been consciously seeking out 'different' music in the late 90s, I never would've heard them either.

They're truly a great band that more people should know about.

9:13 AM  
Anonymous Anonymous said...

Glad to see you prefer the EP version of State I am In... that song grabbed me when I first heard it (drunk at a friend's house in Oxford).

Must confess I really like their recent songs: the life pursuit was excellent. But for me one much overlooked B&S song is "There's too much love", the final track in Fold... I played that one at a wedding reception, and after some nervous shuffling at the beginning, everyone was dancing along.

2:21 PM  
Blogger Richard Steele said...

I've been meaning to listen to more B&S for ages. Thanks for the compilation. Sounds great! :)

12:28 PM  

Post a Comment

Links to this post:

Create a Link

<< Home

  • World's Greatest Music